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When H. L. Mencken talked, everyone listened -- like it or not. In the Roaring Twenties, he was the one critic who mattered, the champion of a generation of plain-speaking writers who redefined the American novel, and the ax-swinging scourge of the know-nothing, go-getting middle-class philistines whom he dubbed the "booboisie." Some loved him, others loathed him, but everybody read him. Now Terry Teachout takes on the man Edmund Wilson called "our greatest practicing literary journalist," brilliantly capturing all of Mencken's energy and erudition, passion and paradoxes, in a masterful biography of this iconoclastic figure and the world he shaped.
Mencken held to ideas that history was busily sweeping aside. He railed against the growing power of the federal government in the early years of the Roosevelt administration, insisting on an elitist brand of politics that favored the "superior man." He advocated an isolationist course in world affairs, even as totalitarian powers swallowed up whole nations; he agitated against progressive domestic causes; and, albeit ironically, he proposed that capital punishment be turned into a public entertainment. Yet he wrote some of the best, most cruelly entertaining journalism of his time, reporting on great trials, minor crimes, and political conventions, skewering received opinion.
Mencken was "something more than a memorable stylist, if something less than a wise man," Teachout concludes. This careful portrait--the first full-length biography to appear in more than 30 years--gives ample evidence for that verdict. --Gregory McNamee
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