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戦後、我々にはドキュメンタリー(記録)が届けられていたが、その後ロブ・レイナーによってモッキュメンタリー(偽物の記録)が送られるようになり、さらにはムーアがクロッキュメンタリー(ばかげた記録)という第3のジャンルを開拓した。
いったい、どうやって、マンハッタンで優雅に暮らすムーアが、あたかも無産階級の“われわれ市民の代表者”のようなイメージを作り上げることに成功したのか、と彼等は問う。そして、どうして、無根拠な議論好きの扇動者でしかないムーアの後ろに、あたかも宗教かなにかに身を捧げるかのように、付き従う群衆が増え続けているのか? 綿密な調査結果と、手堅く理由付けされた議論によって、そして挑発的な機知をちりばめつつ、本書は左翼の大物ターゲットに照準を合わせる。政治的かつ文学的。
Watching Michael Moore in action—passing off manipulating facts in Bowling for Columbine, spinning statistics in Stupid White Men and Dude, Where's My Country?, shamelessly grandstanding at the Academy Awards, and epitomizing the hypocrisy he's made a king's fortune railing against—has spurred authors David T. Hardy and Jason Clarke to take action into their own hands. In Michael Moore Is a Big Fat Stupid White Man, Hardy and Clarke dish it back hard to the fervent prophet of the far left, turning a careful eye on Moore's use of camera tricks and publicity ploys to present his own version of the truth.
Postwar documentarians gave us the documentary, Rob Reiner gave us the mockumentary, and Moore initiated a third genre, the crockumentary.
How, they ask, does Moore pull off a proletarian, "man-of-the-people" image so at odds with his lifestyle as a fabulously wealthy Manhattanite? And how large of an impact do his incendiary, ill-founded polemics have on the growing community that follows him with near-religious devotion? Loaded with well-researched, solidly reasoned arguments, and laced with irreverent wit, Michael Moore Is a Big Fat Stupid White Man fires back at one of the left's biggest targets—politically and literally.
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