How to Write a Movie in 21 Days: The Inner Movie Method

Cover image : How to Write a Movie in 21 Days: The Inner Movie Method

商品情報

ASIN
0062730665
発売日
1988-03
Amazon.co.jp(Japan)の商品情報
How to Write a Movie in 21 Days: The Inner Movie Method
Amazon.com(USA)の商品情報
How to Write a Movie in 21 Days
Amazon.de(Germany)の商品情報
How to Write Movie in 21 Days: The Inner Movie Method
Amazon.fr(France)の商品情報
How to Write a Movie in 21 Days: The Inner Movie Method
Amazon.co.ukの商品情報
How to Write a Movie in 21 Days: The Inner Movie Method
EAN
9780062730664
ページ数
208ページ
制作者
Viki King
商品種別 ( Product Group )
Book - ペーパーバック
レーベル ( Label )
Harpercollins

Amazonのエディトリアルレビューより

Product Description
The ultimate survival guide, How to Write a Movie in 21 Days takes the aspiring screenwriter the shortest distance from blank page to complete script.

Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in the writer's onto the page. This method guides the would-be screenwriter through the writing of a movie. It answers such questions as:

  • How to clarify the idea you don't quite have yet

  • How to tell if your idea is really a movie

  • How to move from what you want to say saying it

  • How to stop getting ready and start

Once you know what to write, the Inner Movie Method will show you how to write it. It also addresses such issues as:

  • How to pay the rent while paying your dues

  • What to say to your spouse when you can't come to bed

  • How to keep going when you think you can't

For accomplished screenwriters honing their craft, as well as those who never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.

Amazon.com Review
No book can find your ideas for you, but this one provides a great service in helping you discover and develop a story, and to come up with the completed script. King helps you learn to think cinematically, in the language of the movies, and to keep asking the essential questions as they work: What's the story? Who is the story about? Do you care about the characters? Does anyone? King also tries to help you survive not just the structural pitfalls that can derail a script, but also the mental or emotional whirlpools that can prevent any artist from finishing a project.

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