Hunger: A Novella and Stories

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Book Description

An award-winning novella and stories that beautifully illuminate the Chinese immigrant experience.

Nominated for numerous awards, including the Los Angeles Times Book Prize and PEN Center USA-West's annual literary award, this debut collection by a young Chinese-American writer has garnered stellar reviews and invited comparisons to Amy Tan and Maxine Hong Kingston. These stories reveal the lives of immigrant families haunted by lost loves: a ghost seduces a young girl into a flooded river; a mother commands a daughter to avenge her father's death; and a woman speaks from beyond the grave about her tragic marriage to a man whose own disappointments nearly destroy their two daughters. In luminous prose Lan Samantha Chang weaves the forces of war and magic, food and desire, ghosts and family, into haunting tales that signal the arrival of an exciting new writer and "a work of gorgeous, enduring prose" (The Washington Post).

"Elegant . . . her stories constitute a delicately calculated balance sheet of the losses and gains of immigrants whose lives are stretched between two radically different cultures."-- The New York Times Book Review

"Impeccable. . . . So luminous is this collection, the result is something like a pearl."-- San Diego Union-Tribune
Hunger won the Bay Area Reviewers Book Award for Fiction, a Silver Medal in the California Book Awards, and the Wisconsin Public Library Association's Banta Award
Chang's work has twice been selected to appear in the Best American Short Stories anthology
Hunger appeared on the Wordstock bestseller list

Amazon.com

The characters in Lan Samantha Chang's Hunger are starved for any number of things: acceptance, love, success, and even dreams of home. In the title novella, a thwarted violinist struggles with his second-tier status, forcing his dreams on his daughters and his nightmares on his wife, the narrator. "Some Chinese make their fortunes in America," she realizes. "Tian and I were not among them. Perhaps we lacked the forgetfulness that is essential to moving on." Chang beautifully conveys the pressures on these bewildered immigrant parents, whose aspirations are rarely matched by reality, and their quietly rebellious children. And while Tian remains far more frightening than likable, his long-ago escape from mainland China instantly humanizes this paternal despot:

He struggled slowly toward the silhouette of the refugee ship, the Sonya, his throat dried hollow with seawater, his left arm numb from holding up the instrument. At one point, he slowed and floated in the waves, fitted the familiar shape against his chin, as if he were considering a melody. But he only rested for a moment.

Though this novella is definitely the collection's standout, Chang's other stories are equally impressive explorations of desire and need, isolation and fear. When it comes to evoking the smash of cultures, national and familial, this superlatively gifted author has perfect pitch. --Kerry Fried