Francis Ford Coppola's Zoetrope: All Story (Harvest Original)

Cover image : Francis Ford Coppola's Zoetrope: All Story (Harvest Original)

商品情報

ASIN
0156011107
発売日
2000-05-15
Amazon.co.jp(Japan)の商品情報
Francis Ford Coppola's Zoetrope: All Story (Harvest Original)
Amazon.com(USA)の商品情報
Francis Ford Coppola's Zoetrope: All-Story
Amazon.de(Germany)の商品情報
Francis Ford Coppola's Zoetrope: All-Story (Harvest Original)
Amazon.fr(France)の商品情報
Francis Ford Coppola's Zoetrope: All Story
Amazon.co.ukの商品情報
Francis Ford Coppola's "Zoetrope": All Story (Harvest Original)
EAN
9780156011105
ページ数
368ページ
制作者
Adrienne Brodeur
Francis Ford Coppola
Samantha Schnee
商品種別 ( Product Group )
Book - ペーパーバック
レーベル ( Label )
Harvest Books

Amazonのエディトリアルレビューより

Product Description
The literary journal Zoetrope, founded in 1997 by film director Francis Ford Coppola, proved an instant and spectacular success with readers and critics nationwide. That its mission, to seek out and publish only the brightest, most original writing that intersects film and fiction, has worked triumphantly is attested to by the numerous awards it has garnered in only two years, from such publications as Bestt American Short Stories, The O. Henry Award Prize Stories, Best New Stories from the South, and many more. And Zoetrope is equally known for having discovered new writers who have rocketed to fame, including Melissa Bank and Sarah Powers. Francis Ford Coppola's Zoetrope: All-Story presents some of the best writing to have appeared in the magazine to date, including work by Amy Bloom, Peter Lefcourt, Philip Gourevitch, Lucia Nevai, Melissa Bank, and Tim Gautreaux, among others. In addition, original essays and fiction never before published appear here, including work by John Nichols, Salman Rushdie, and Robert Olen Butler. The result is an exciting and vital collection, a must-have for readers of today's best writing and for fans of today's best films.
Amazon.com Review
In his introduction to Zoetrope: All-Story, Francis Ford Coppola explains exactly what possessed him to start a literary magazine. Emphasizing what should be an obvious point--a good movie requires a good story--the acclaimed director laments the lowbrow sensibility of motion-picture studios, pointing out that "none of them that I know of devote serious resources to the cultivation of literary work." Hollywood has a hallowed tradition of slapping together screenplays based on flimsy pitches ("It's like Babe meets Angela's Ashes"). In contrast, Coppola has his own humble request for "good writing, good characters, and intriguing stories that spellbind us, but also teach us about life."

The collection opens with Sara Powers's captivating story about commitment and doubt, in which a sporting couple agrees to experiment with selective lying (at the rate of three falsehoods per conversation). Amy Bloom's "The Gates Are Closing" is a vivid, funny, and typically touching story about a woman having an affair with her synagogue president's ailing husband. Still, the most amusing tale--and the one that may resonate loudest with struggling writers--is "Thinning the Herd." In Peter Lefcourt's comic fantasia, the narrator interviews one Warren David Warren (a.k.a. "Son of Shakespeare"), a self-proclaimed "revisionist literary Darwinian" who slaughters authors whose work he finds abominable. Defending the murder of a prolific bestselling scribe, Warren makes his case: "He kept spewing them out. Like rabbit turds. Who did he think he was--Trollope?" There may in fact be a glut of writers. But within the boundaries of this collection, at least, their stories are superb--and many of them would make great cinema. --Brangien Davis


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