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HOT SPRINGS
Earl Swagger is tough as hell. But even tough guys have their secrets. Plagued by the memory of his abusive father, apprehensive about his own impending parenthood, Earl is a decorated ex-Marine of absolute integrity -- and overwhelming melancholy. Now he's about to face his biggest, bloodiest challenge yet.
It is the summer of 1946, organized crime's garish golden age, when American justice seems to have gone to seed for good. Nowhere is this more true than in Hot Springs, Arkansas, the reigning capital of corruption. When the district attorney vows to bring down the mob, Earl is recruited to run the show. As casino raids erupt into nerve-shattering combat amid screaming prostitutes and fleeing johns, the body count mounts -- along with the suspense.
A decent man haunted by his warrior past as well as the memory of his suffering at the hands of an abusive father, Earl yearns for the peace and quiet of domesticity with his wife Junie and the child she carries. But his need for "the hot pounding of the gun, the furious intensity of it all," is even more compelling. Earl's fearlessness in the face of danger is his defense against guilt over having survived both the war and his father's cruelty. Tasked with training a commando cadre to destroy Madden's criminal enterprise, Earl finds a way to channel his violent nature in the service of justice, despite his suspicions about his boss's political agenda, which threatens to compromise his assignment and destroy his team.
A prequel to Stephen Hunter's three well-reviewed suspense thrillers starring Earl's son, former marine sniper Bob Lee Swagger (Point of Impact, Black Light, Dirty White Boys), Hot Springs is bloody, hard-boiled fiction at its best. Hunter's precise descriptions of combat, hardware, and commando training are rendered in spare, uncluttered prose, and the melodrama around a key subplot--Earl's tangled, love-hate relationship with his murdered father--enhances rather than detracts from the novel's superb pacing and powerful narrative. Another subplot, involving Madden's rivalry with Bugsy Siegel, whose plan to create a rival sin city in Las Vegas threatens his own prominence, is less successful, but that's a minor quibble. While it's the only part of Hot Springs that doesn't fully engage the reader, it highlights Hunter's verisimilitude in depicting the heady post-World War II era. This is a highly readable book that should send grateful fans to Hunter's backlist as soon as they've turned the last page. --Jane Adams
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