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June Anderson handles the coloratura demands of the title role with distinction, Eduard Tumagian strikes the proper notes of affection and distress as her father, and the deep-voiced villains' roles are convincingly filled. Taro Ichihara carries off his big moments well in "Quando le sere al placido" and elsewhere. The chorus, however, is not theatrically used or visually convincing. --Joe McLellan
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