(VHS) Gilbert & Sullivan - H.M.S. Pinafore [VHS] [Import]

Cover image : (VHS) Gilbert & Sullivan - H.M.S. Pinafore [VHS] [Import]

商品情報

ASIN
1578900050
発売日
1997-01-01
Amazon.co.jp(Japan)の商品情報
(VHS) Gilbert & Sullivan - H.M.S. Pinafore [VHS] [Import]
Amazon.com(USA)の商品情報
Gilbert & Sullivan - H.M.S. Pinafore / Marshall, Howerd, Jones, Opera World
EAN
9781578900053
制作者/出演者
Frankie Howerd
Gordon Sandison
Meryl Drower
Michael Bulman
Peter Marshall
商品種別 ( Product Group )
Video - VHS
レーベル ( Label )
Opera World

Amazonのエディトリアルレビューより

Description
On the quarter-deck of H.M.S. Pinafore, Captain Corcoran and his crew await the arrival of Sir Joseph Porter, First Sea Lord, to inspect the ship. Sir Joseph wishes to marry the captain's daughter Josephine, but she is secretly in love with Ralph Rackstraw, a member of the crew. They attempt to elope but are apprehended. Through a strange twist revealed by Buttercup, the bumboat woman, Ralph and the Captain end up exchanging places, and all ends happily after all.
Amazon.com
This video is one of the Opera World series of 12 Gilbert & Sullivan operettas produced for television in 1982. Aiming for a broad public, the series' producers assembled crossover casts of Savoyards, comedians, song-and-dance types, and Americans affecting British accents. The results are erratic, and H.M.S. Pinafore is as mixed as they come. Musically, it is of generally high quality (the opera singer Della Jones as Buttercup, for instance). It is full of energetic dance numbers, and there's a hefty dose of music-hall comedy. It just doesn't add up.

Peter Marshall, best known as the host of Hollywood Squares, turns out to be a credible singer and dancer. But his performance is bizarre. With his prancing movements and incessant grin, he's a Victorian cartoon that scarcely resembles the genial but upright Captain Corcoran. It's similar with the British TV comedian Frankie Howerd, who, in the role of Sir Joseph, plays himself. Expertly drawing on a large stock of mannerisms, he hoists his eyebrows, purses his lips, levitates his voice an octave in surprise. Howerd's speak-singing is more effective than you might think; he tramples on Gilbert's dialogue, however. Adlibbing many of his lines, he is sometimes visibly at a loss for what to say next.

The number of such wobbly moments suggests that the production was taped in a hurry. Things are further constrained by the shipboard set, which is too cramped for all those sailors, sisters, cousins, and aunts. During the dance segments, you can observe them bumping into the scenery and each other. --David Olivenbaum


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