Marcel Pagnol's Marseilles Trilogy was adapted into a Broadway musical in the mid-'50s; a few years later, that show's producer, Joshua Logan, turned it into a film... without the songs. Although it pales in comparison to the French trilogy, Fanny captures the original's bittersweet mix of romance and regret. Curiously, it retains the slightly stagy quality of an adapted musical. Charles Boyer and Maurice Chevalier revel in their juicy autumnal roles, and--thanks to Logan's fondness for rapturous close-ups--Leslie Caron never looked more beautiful. Harold Rome's Broadway score plays underneath many scenes (without the lyrics, that is), but what gives the movie its lilt is the color photography by the great Jack Cardiff. The Marseilles waterfront, where Boyer's café is scenically located, becomes a wonderfully bustling backdrop for the funny/sad story. Fanny was nominated for five Oscars, including best picture, but seems mostly forgotten today, and ready for rediscovery by romantics. --Robert Horton
