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Although critically praised, The Gunfighter was a box-office disappointment. Darryl F. Zanuck blamed the soup-strainer mustache Henry King had Peck grow for the role, but perhaps the film's virtues of intelligence and restraint weighed against it. The Gunfighter properly deserves the credit (awarded to High Noon two years later) for ushering in the "adult Western," that '50s subgenre that emphasized psychological intensity over action and spectacle. (Most of The Gunfighter unfolds at the Palace Bar where Ringo waits for his family to be brought to him.) In any event, latter-day audiences should have no trouble appreciating the solid performances, literate writing, and impeccable Fox craftsmanship, including the final studio assignment for ace cinematographer Arthur Miller. --Richard T. Jameson
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