The Million Colour Revolution

Cover image : The Million Colour Revolution

商品情報

ASIN
B000E115DQ
発売日
2006-02-20
Amazon.co.jp(Japan)の商品情報
The Million Colour Revolution
Amazon.com(USA)の商品情報
The Million Colour Revolution
Amazon.de(Germany)の商品情報
Million Colour Revolution
Amazon.fr(France)の商品情報
The Million Colour Revolution
Amazon.co.ukの商品情報
The Million Colour Revolution
EAN
0689076843027
枚数
1枚
制作者
Pinker Tones
The Pinker Tones
商品種別 ( Product Group )
Music - CD
レーベル ( Label )
Outstanding

Amazonのエディトリアルレビューより

Album Description
This dynamic duo from Barcelona have enjoyed success around the world with their intoxicating mix of electro, pop, dance, Latin, and lounge. Their stateside debut contains infectious beats laced with lyrics in English, Spanish, French, and Italian. "One of the most talked about bands of the year" - Loaded, UK. "A cult sensation taking the world by storm" - FHM, South Africa. Their sensational music video, "Sonido Total", is stirring up interest around the globe.
Amazon.com
Having scored massive USA college and independent station airplay and a video in rotation on MTV Europe and Japan, and having been dubbed a Myspace.com "Artist Of The Week," the Pinker Tones, a Barcelona-based electronica duo, are gaining adherents the world over. On their second album, the cheeky, musically larcenous duo incorporate everything from hot-wired, Super Fly-esque 1970s soul and muscle-headed but endearingly fluffy hip-hop to organ-glazed, beat-trussed bossa nova, with lyrics in English, French, German, and Spanish. "Piccolisima Descarga," 33 seconds of Kraftwerk-like mecho-madness (a relapse occurs during "Maybe Next Saturday"), feeds into "In Pea We Nuts," a wah-wah-frosted instrumental Barry White would have loved. "Pink Freud" reveals what the Beatles might have sounded like if they were still living in Hamburg during The White Album. "Love Tape," with its Ian Anderson-like lead flute, is both intricate and studiedly silly, while "Pinkerland Becaina" is a faux-tropical hallucination. Mister Furia (Salvador Rey) and Professor Manso (Alex Llovet) obviously have a fondness for hand percussion and retro, comparatively cumbersome sonic technologies like the Moog synthesizer and Theremin. But the way they employ them is as new as yesterday seemed while it was happening yet as old as tomorrow will feel the day after. Seductively disorienting, the tunes caress the ear and galvanize the hips like kaleidoscopic sequences of multi-culti déjà vu. --Christina Roden

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